![]() ![]() That hasn’t changed if anything, it’s grown,” says Goodman, who recently wrapped principal photography on “Seven Kings Must Die.” Mid Atlantic is currently prepping the second season of Showtime’s “Halo,” while also budgeting and scouting for several miniseries from Hollywood studios and streamers that are in development. “More than ever, there is a need for content. But as demand continues to surge, it’s now reckoning with a fundamental shift – accelerated by the pandemic, but by no means caused by it – in how films and series are produced and consumed, a ripple effect being felt in screen industries across the globe. Nearly two years after COVID-19 began disrupting film and television production across the globe, the Hungarian industry seems to have finally worked through a backlog of projects delayed by the pandemic. “There are enough projects circling to imagine that the town will remain busy as it has done year on year.” “In the next four to six weeks, I think our capacity will either be completely full, or mostly full, through Q4 this year – maybe going into Q1 2023,” says Adam Goodman of Mid Atlantic Films, which serviced principal photography on “Dune” (pictured) in 2019. “The government have been incredibly smart at capitalizing the growth in that sector, and being incredibly smart and light-footed in the tax rebate to…keep being at the forefront of giving as much money back and being as attractive to a producer as they possibly could,” adds Marchant, who just wrapped production on the “Last Kingdom” feature-length spinoff “Seven Kings Must Die.”ĭespite rising energy costs and lingering supply-chain disruptions brought on by the coronavirus pandemic, the industry hasn’t missed a beat. Nigel Marchant, managing director at Carnival Films, the NBCUniversal-owned production outfit behind “Downton Abbey,” points to those factors as the “building blocks for getting the most for our money” when it came to filming “ The Last Kingdom,” the Netflix historical drama, which spent five seasons in Hungary. or U.K., and 25% lower than in Western Europe. In addition, Hungary offers a 30% cash rebate (that can reach 37.5% through the addition of qualifying non-Hungarian costs), as well as production costs that are 30%-35% lower than those in the U.S. Instrumental to that success has been the buy-in from both the government and the private sector, with a streamlined permit process, state-of-the-art sound stages and facilities, and highly skilled English-speaking crews contributing to make Hungary the second-largest production hub in Europe, after the U.K. ![]() “It’s electrifying to witness the post-COVID boom in our screen industry,” says film commissioner Csaba Káel. Last year total production spend in Hungary reached $650 million – a new record, and nearly 30% higher than in the last pre-pandemic year of 2019. Italy to Set Firm 90-Day Window Between Theatrical Release and Streaming Play Read the Full Oscars Speeches Cut From the Broadcast, Including Winners for 'Dune,' 'The Eyes of Tammy Faye' The impressive Oscar haul of Legendary and Warner Bros.’ “ Dune,” which filmed in Hungary and won six Academy Awards at Sunday night’s ceremony, is just the latest validation of a booming biz that is only moving from strength to strength. Yet despite the challenges and lingering uncertainty, the Hungarian industry is riding high. For most of the world’s screen industries, forced to adapt on the fly to unforeseen and often unprecedented events, simply staying afloat has somehow come to feel like a triumph. Few could have predicted the global disruptions of the past two years, with the coronavirus pandemic continuing to claim lives and upend livelihoods and the war in Ukraine – now in its second month – sparking a crisis whose human, political and economic tolls have yet to be fully reckoned with. ![]()
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